JL Audio Gotham review in STEREO Magazine

In this country, this type of device is still often dismissed as a “bass cube” that just “makes a little more bass”, especially when the speakers are unable to deliver it themselves. But that is, to put it mildly, a very narrow and simple description of what a subwoofer should do – a good one anyway, because there are of course plenty of plain wooden boxes with woofers, which more-or-less always boom the same low tone.

But this is something completely different. Rather, the approach is to fundamentally improve the existing loudspeaker, this applies even to the highest quality speakers – with the “best subwoofers in the world”. There is no serious doubt that the “Gotham V2” could be that. The bass drivers, which are extremely powerful with ten (!) centimeters excursion, reach inside to the rear walls, and they weigh several times as much as the sometimes-impressive woofers of all the other speakers in the room. It’s not a fair fight.

In addition to the sheer impressive specs and the highest quality, yet brute exterior, the giant includes extensive digital electronics including “room EQ” to literally handle every loudspeaker pairing. In our STEREO listening room this is currently one – of course it is two – full-blown B&W 800 D3 to be upgraded by the Gotham.

With four men, we moved the JL Audio Gotham V2 to the vacated space next to them, where the Gotham is in line with the main loudspeakers. This position is favorable for the phase behavior. With its very similar rounding in the high gloss piano lacquer housing, it looks very good with the B&W speakers. Nevertheless, the stately B&W suddenly looks almost tiny. Now the Gotham can accompany the British speakers on the lower octaves. After we have roughly determined the phase, a not too high crossover frequency and the proper level, it sounds really excellent. Suddenly lower limit frequencies of below 20 Hertz are easily possible. It‘s impressive how the ground shakes.

But after the calibration it is actually even better. Then we put the optional JL Audio CR-1 crossover in place. Even the excellent B&W 800 is more convincing if you relieve it of the flexing and heavy lifting work of the lower octave or even the two lower octaves. The B&W drivers can play more precisely and with less stress. This is what the active crossover CR-1 from JL Audio can do, which in the hands of professionals offers a playground of settings with which the transitions between main loudspeaker and subwoofer can be finely balanced and fine-tuned as if the team was made up of sub and “satellites” – a belittling expression when referring to the B&W – made for one another from the start.

It goes without saying that one may be surprised that an “uber” subwoofer for 18,000 euros still requires a crossover for around another 5000 euros. I also had these doubts myself. But only with the CR-1 is it possible to decouple the B&W from the fantastic Accustic Arts power amp at around 80 Hertz and to have the Gotham support it with 12db or 24db slopes as required.

You can hear that very clearly, as well as the adjustment of the quality (Q factor), i.e. the level drop in the “crossover” area. The fully analogue CR-1 goes way beyond the already abundant possibilities of the Gotham alone. You can also use it to adjust the balance between the sub and loudspeakers after set-up, even for individual tracks or for two-channel and home theater use. Additionally, a very precise measurement is possible using a notebook PC, measuring microphone and the JL Audio TuN software, which can be downloaded for free from the JL Audio homepage. You can even see what the settings are doing “live”.

To be clear, the JL Audio crossover is not, of course, absolutely necessary to achieve a very good result. But if, for example, a second subwoofer comes into play, or if you have to deal with stubborn room modes that are difficult to get to grips with, or if you simply want the ultimate perfection, then additional measurements and optimizations may make sense. Not to forget that you are sometimes forced to use a suboptimal location for aesthetic reasons. In these and other problem cases, in particular, an external, active crossover such as the CR-1 comes into play.

Of course, it doesn‘t have to be the Gotham V2 either. Its DNA can be found individually downscaled in all of the smaller JL Audio models. Alternatively, two slightly smaller and more affordable models can be selected, which makes perfect sense due to the double number of sound generation centers with reduced excitation of the room modes in the same place and reduced lifting work of the drivers.

The “Mission Superbass” knows no limits, apart from budget and common sense. A JL Audio customer – we saw photos of the home cinema installation – treated himself to a total of six Gotham V2s, stacked in groups of three, in special brackets. Perhaps comforting for all normal wage earners that he has managed the whole thing over a period of three years. We‘d love to hear that.

Stunning & shockingly good

The Superbass mission should succeed. We STEREO editors have long been convinced of the value of high-quality subwoofer support thanks to such, admittedly rather rare experiences. There remains much more than “just” the bass as a benefit, the whole sonic picture becomes more relaxed, more natural and confident, audibly larger and wider, because the human brain immediately perceives through the lower frequencies and more clean energy in the lower registers that this has to be a large room; the sense of space is much more obvious. Otherwise sometimes sharp hissing sounds are softened. If you take the subwoofer out of the playback chain after the best possible measurement, room EQ and thus ideal integration and a few tracks you have heard, you are horrified at how much is suddenly missing.

JL Audio‘s flagship Gotham V2 stands as a technology leader, as “Formula One”, which is supposed to – and can – show what is possible in the lower layers in terms of outstanding quality. It masters both the depth down to below 20 Hertz and the ultimate precision with virtuosity – and not least thanks to the 4.5 kilowatt amplifier power and efficiency, it is a master of volume, which makes it an absolute reference for both music and cinema beyond our test experience. It thus eludes, for obvious reasons, its assessability by moving into the “high-end extreme”. It doesn’t get any better. Wow!

Click Here to learn more about the Gotham V2.